Gothic Earth Session 10: Return to the Haunted Belalp #3
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In Switzerland, the word for Fairies is Kobold. Above ground, Kobolds are seen as benevolent and helpful nature spirits, but below ground, they are twisted and evil. I've been using the word Kobold as well as Tommyknockers. The mine is haunted, but not all of the spirits in the place are dead.
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Heroic NPCs, how much is too much?
The problem was a weird one. The spider webs chocking the hall needed to be burned, but nobody had any torches or oil because the cleric was using magic to light the place. The wood in the gnome ruins is ancient and not fit for anything. The party was going to have to go all the way back just to get something to burn the webs out, which was boring, so I offered up my NPC. She is a horrible wizard who has no confidence in her abilities, but she had gotten the spell to work a couple of times. She told the party that she needed some components which could be found in the area, namely bat-poop and some spiderweb clippings. She ground it up and made a powder which she poured into her hand and blew onto the webs, then she said the magic words . . . and! Nothing happened.
In regards to what the kobolds are up to, they got a clue. One of the kobolds pulled out a small bone statue of a dragon, calling it Zudet. The PC Wizard, instead of going up to the village right away had gone to the city of Brig to research the area and had found mention of a medieval settlement somewhere in the mountains called Zudet Castle. He also learned that an archaic name for the Alpine Skinks that infest the area every Spring and Summer is “Spawn of Zudet”. Is Zudet some kind of Pagan god? A symbol of some kind? Or is the statue literal?
Wednesday, May 31, 2017 | Labels: encounters, NPC's, rants, Ripper's Gaming Sessions | 2 Comments
Suggested Blog Post, and an Anti-Module Rant (Free-Writting)
I am working on an article now, and it isn't ready. I do, however, like to try and post something at least once a week, this will be one of those free writing, unedited, first-draft things, so consider yourself warned.
Oaks Spalding has been doing some phenomenal work on his blog Save Versus All Wands, my favorite being "Why Do Player's Enjoy Being Puppets?", there is also a link in there to another good article where he defends Gygax from a younger user of D&D. Both are very well written and if you haven't seen them yet, well, there they are.
Now at the end of the article, I would like to point out a comment. A very negative comment that is strange, apparently there is a large enough caucus of people who believe some strange things and are loud enough to be heard. The most obvious belief is that there is only one way to play the game, and that is through modules. I've seen this opinion crop up a lot in the last few weeks, and it is okay to feel that way. If modules are your thing GREAT! They personally bore me to death, but to each their own. What bothers me is the aggressiveness of the campaign. At first, I thought that it was a joke. Many of us are networked together to take the game back from Corporate America and restore it back where it belongs, at the table.
Our goal should be a simple one, remove all prep. Run a game for anybody at any time any place. Perilous Dreamer from The Ruins of Murkhill is an example of a Dungeon MASTER, notice the stress on the Master. We call ourselves Dungeon Masters, but for most of us, we're students.
I have studied lots of modules, I've got a good collection of them from all different eras. I have never run most of them, modules to me are more trouble than what they are worth. They say that they help you save time, but I must be doing it wrong because after reading, memorizing, correcting errors, tailoring it to my table, chopping it up so it's better organized, adding to it, cutting out garbage, I spent more time prepping the thing than I ever have just done my own thing. The worst part about modules is that, without fail, half way through, after I'm done prepping the thing, I get bored of it. I had played this game during prep, I don't get to play it at the game table. That, to me, sucks. Another thing that sucks is that at the end of the day, this wasn't "OUR" game, it was somebody else's, I was just an editor. I felt like this soon after DMing and getting screwed by TSR, and being tricked into thinking that it was a failure of mine that my setting doesn't comply with the latest and greatest published version of it.
By studying a good variety of modules, and being critical about the content, figuring out what works, what is a trap, what we hate or love about something, I learned what has been done already and can begin making my own design choices. The game is customized solely for those who show up on gameday. I am no longer studying modules, they are repetitive, repeating the same formula over and over again, the newer the module the more it hides its formula but the formula is still a repetition of the old ones.
I have found fresher ideas by directing my studies to war games. I find that applying wargaming theories to D&D creates a more open world that feels more complex than it really is. A story does not have to dictate progress, I enjoy that element, but I am not a slave to it. Committing to actions, making decisions, interacting with the world around them, that is what dictates progress. In a video game, if you lose a scenario you have to try again until you win, this isn't the case in D&D. That is part of what makes it work, if you fail, the world doesn't stop, it keeps going.
I used to think that the DM was in charge of the content, but they aren't. The player is. The DM designed things, but the more open the better. If you have an interesting design, the players will do their damnedest to find it, and if you did a really good job, then they won't even notice that they haven't found it yet.
If the story plays itself out as a reaction to the players, constantly changing and morphing into something that was not predicted by the designer, is it actually a story, or is it something else?
This stuff all sounds very complicated, but it isn't. The only prep that I really need to do prior to the game is to mentally put myself in this place. If my players are at a loss for what they should be doing, I can give them different options, but typically this isn't the case.
Thursday, May 18, 2017 | Labels: rants | 0 Comments
Dave Arneson's True Genius (Review)
You have, I feel, given the best definition of what it is that we do. Describing to others why we sit around a table and play pretend either ends well or it doesn't. You also identify and clarify thoughts that I have had about the system for years but in a concise way which both strengthens and expands what I have been grasping at for so long.
I had taken a very long break from gaming, and when I came back to it, I played MUCH differently than I did as a youngster. The game functions better, we took our time and just did what we wanted to. You go into a house to search it, there is no dice for that now, I make the player search it. One of the club's founding members returned for a game, he had heard that it wasn't just a hack and slash anymore and he got curious about it. During play he'd try old tactics that rely on dice, and would get frustrated when I forced him to use his brain instead; however, the very next session he came back ready to go.
I had a hard time grasping what I did, what was different, and I finally figured it out! I allowed the player's thoughts and ideas to become more important to the game than the dice. If the player can't mentally accomplish a goal, or just becomes overwhelmed, we can always use the dice, but we don't have to. People come first, not the system. This philosophy, once it takes hold, changes the dynamics of the game in a positive way. This book really reinforces this principle, and even extends my personal awareness of how far this knowledge can really take us.
Thank you!
Copyright Three Line Studios |
Wednesday, May 10, 2017 | Labels: Reviews | 6 Comments
Gothic Earth Session 9: Burn The Witches (Experimental Design Notes)
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In session 8 the players got one over on me. For years I have always been able to get away with mobs. Lynchings involving lots of people are dangerous and wicked things! For the most part, my players have never been able to settle one down; until session 8. Through very good Role-play and quick thinking, the players were able to stop the terrified and riled up citizens of Belalp from playing into the villain's game plan.
From the enemies point of view, this was a well-thought out and calculated move that was critical to the master plan. There are agents operating within the village of Belalp, and one specifically was going to be rewarded that night. They had framed the old woman, instigated a lynching, and planned to use it as a distraction to steal a baby for a vile ritual which would greatly increase the agent's power as well as the mastermind's.
This didn't happen, the mastermind found themselves perilously exposed to discovery, the evidence against the old woman was solid enough to cause a gut reaction but not good enough to withstand any close scrutiny, and no baby was stolen; thus no ritual was performed and the plan was thwarted.
The players definitely earned this win! They now had a chance to force an encounter with the enemy before it had a chance to reach its full potential. The players had been able to give themselves a three-day window to figure out what is going on, identify the enemy agent, and deal with them.
The elements of having the perfect game were there: Allow the agent to steal the baby, accurately predict where the ritual was to take place and catch her and her boss in the act. Of course, we all know that the perfect game is an elusive thing, but the potential was there.
I wanted things to be tense, as well as frantic; I've toyed around with time-based adventures before, but never really was all that happy with the results. My villains had their work cut out for them, they had a lot to do in a very small window, they had to strengthen the evidence against the old women, create another diversion, set the groundwork for a fast and precise kidnapping, and complete the ritual while the old woman burned, preferably along with the PC's.
I decided to try something new, I really enjoy strategy games and I thought that this scenario would fit that format in a very interesting way. Instead of using a clock to count time, the players, and the villains had a limited amount of actions allotted to them to complete their goals.
Now there is a problem with this, strategy games are difficult, you have to experiment for a while until you hit upon formulas that work, D&D is very different. There are no redos in Dungeons & Dragons. There are no take-backs, either. I had to figure out a way to make this game fair for both sides; while I enjoy strategy games, my players might not, and it is them on the hot-seat, not me.
So, I got to designing. I decided that 13 Actions might be enough; it would hopefully give them enough wiggle room to let them make an error or two without the entire thing becoming impossible to win. I wanted a really good challenge, and a difficult game, but not something that was too mentally demanding.
Prior to play, I laid out the ground rules.
- Play is broken up into a set number of actions. Day 1 has 3 actions, Days 2 and 3 each have 5.
- At the end of the game, Events will play themselves out, independently.
- The party is not allowed to split up, each action must be done as a team. This is out of fairness to the enemy who has the same amount of actions as the players do.
- Movement Rates are going to be ignored, it is free to walk in all civilized spaces, but there is a charge of 3 actions if one goes out into the wilderness.
- There is no need to go out into the wilderness.
- While the players are limited in actions, once one is declared, you are allowed as much time as you need to to explore the location and complete the action.
SECRET RULES
I kept some rules of play a secret for pacing reasons, I also had to keep the game fair. Like I said, D&D doesn't give one much time to think, evidence has to be loud enough so that puzzles can be solved in real-time at the table.
At the end of each day, if they went back to their cabin they got a free turn which was used as a briefing. The NPC ally Dr. Van Helsing would talk with them about what they had figured out. Now Van Helsing, in order to function, had his own motivations and biases. I didn't give anything away, I just asked leading questions so that they could have a better chance of thinking clearly and faster than if they had just been left to ponder this stuff on their own. I did limit the number of times that Van Helsing could eliminate a false lead and point them into a different direction.
In regards to enemy activity, for the most part, I kept it so that when the heroes made a move, the enemy moved at the same time. I had a short list dictating daily objectives for the enemy, however, they were not limited to these actions, they had to be responsive to the players. An attack meant to draw attention to itself would force the players to make a decision, complete their planned action and let the police handle the attack, or investigate the scene itself. As always, my villains played to win. Some enemy actions were just distractions while others were productive. Some went undetected, while others; since the players were close to the locations in question, were noticed.
If at anytime the enemy and the player chose the same location, I would have rolled a secret initiative but this never came up. What I ended up with was a nice clean investigation game, it made in-town exploration exciting, everyone was on the same page, and running the NPCs was a breeze!
The time required to play this scenario out was perfect for the time we had allotted to us, as DM I was able to maintain a strong grip on pacing, which was important because I wanted the players to experience the pressure that their characters were under. They were able to acquire LOTS of information about the village and the people who live there (too much to write here). They had to choose their moves wisely, they did make a few errors which I had expected, but by the last turn I judged that the game had succeeded, they knew who the agent was, what her plan was, now they just had to predict her last move.
The game wasn't perfect for either side. That last turn was one of the most intense moments that I had ever had in D&D, I so wanted to help them, they had almost played the perfect game but this last move had to be precise for them to pull it off. In the end, they made the wrong decision but this was a really difficult game. They still ended up winning. The agent hiding in the village of Belalp was exposed and became a loose end, the mastermind knew that it was just a matter of time before she led the heroes right to them, so the agent was eliminated.
The heroes were able to stop the enemy from thripling its strength, but the agent who eliminated his co-conspirators and former boss is now a local hero as he was able to steal all of the glory from the players and become untouchable.
Over all, this was a very well played game that was demanding on the players' skill to get a job done in a limited amount of time that was simulated perfectly. It was definitely gamey, the mechanics were more out in the open than I normally have them, but it more than made up for it in playability. This is something that I will definitely be doing again.
Monday, May 08, 2017 | Labels: campaign ideas, NPC's, Ripper's Gaming Sessions, Time and Movement | 3 Comments
Balance By Design: It isn't what you think it is
Chess, however, from a design standpoint, is not a well-balanced game. It is a game of skill: while two people of the same skill level can enjoy the game, the most skilled player is always going to win. There is no way for me to beat a chess master, I may enjoy getting clobbered, but the skilled gamesman is going to win every time.
- The early game favors the Axis
- The middle is equal
- The late game favors the Allies.
You've got a Prince returning from war, he's been gone for a few years and the Regent really doesn't want him to return, everything was going so great without the Prince!
But are the players actually beaten? Now the players know what they are up against, and can start a defensive game to minimize the creature's influence until the players feel they are strong enough to challenge its power or come up with a scheme which gives them an advantage over the more powerful opponent. The DM can kill them at any time, but what would the point of that be? In this case, we balance player skill vs. the chaotic might of a dragon. Who is going to win? We don't know, not until we run it.
Monday, May 01, 2017 | Labels: encounters, rants | 2 Comments
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